Sunday, March 28, 2010

On the sculpture trail: “Uptown Rocker” by Lloyd Hamrol in Downtown Los Angeles


Sites of Los Angeles display sculptures you can walk through (Sequi) or walk around (Liberman's Ulysses and Phoenix). The Bunker Hill art project “Uptown Rocker” by Lloyd Hamrol on busy Fourth Street is best experienced while driving by, according to the artist's feel [1]. But on your leisurely art stroll through Downtown Los Angeles you may not want to drive around. Then, the best place to see the “Uptown Rocker” is from the South Grand Avenue bridge crossing Fourth Street.
You'll see real traffic zipping by on both sides of the rocker, while silhouttes of painted steel cars are roller-coasting the sculpture curve. This art installation may remind you of cars jumping around and running crazy during a strong earthquake. The sculpture is unbalanced, being higher towards the Grand Avenue side. The curved rocker is a concrete structure, which hopefully is balanced and well-anchored, in case an actual earthquake rocks!

More on Uptown Rocker
[1] Search uptown rocker at www.crala.net/internet-site.
[2] Uptown Rocker sculpture 1986 by Lloyd Hamrol.

On the sculpture trail: “Sequi” by Nancy Graves on Wells Fargo Plaza in Downtown Los Angeles


“Sequi” is a walk-through sculpture on Wells Fargo Plaza, just off South Grand Avenue, in Downtown Los Angeles, California. This open sculpture by Nancy Grave (1940-1995) is a polychrome-painted bronze composed of colorful element such as banana blossom, lobster claw, seed pod and vines, which all together are anchored to the plaza ground at four points.

Continue viewing: Sequi, Crocker Center.

On the sculpture trail: “Phoenix” by Alexander Liberman next to LA Brea Tar Pits


Phoenix is the firebird, known from ancient mythology and symbolizing, among other things, the cycle of fire, ash, and rebirth. The Phoenix installation by artist Alexander Semeonovitch Liberman (1912-1999), which is a uniformly painted bright red steel sculpture, may remind people, driving along Wilshire Boulevard between Downtown Los Angeles and Beverly Hills [1], of a swirling fire. “Phoenix” appears to be the red version of its brother sculpture “Ulysses,” which is standing a few miles away, off Fourth Street on Bunker Hill in Downtown L.A. [2].

Liberman's “Phoenixsculpture (1974-75), a gift of Anna Bing Arnold, is located in the outdoor section of the L.A. County Art Museum (5905 Wilshire BLVD.), bordering Hancock Park, which exhibits a different kind of sculptures: life-size animations of extinct macro-fauna animals (though no firebirds) that were thriving in the L.A. area during the Pleistocene. Some animals died then around this location, not because of firebirds, but due to their trapping in coal tar pits. An oily, bubbling pond is still there, just a few steps northeast of “Phoenix.” Trails (short walking paths) through Hancock Park connect you with sculptures and sites giving some evidence of the Pleistocene and Holocene stages. This L.A. neighborhood is bubbling of synergy: celebrating the cycle—or confluence—of art, science, and imagination.

View-me-too pages
[1]
Phoenix painted steel sculpture 1974 by Alexander Liberman. www.you-are-here.com/sculpture.html.
[2] On the sculpture trail: “Ulysses” by Alexander Liberman in Downtown Los Angeles.

Saturday, March 27, 2010

On the sculpture trail: “Ulysses” by Alexander Liberman in Downtown Los Angeles


On an “odyssey” through Downtown Los Angeles in California you'll pass a diverse set of sculptures and other art objects. From the “classical” Beethoven sculpture on Pershing Square or composed airplane parts near the Museum of Contemporary Art (MOCA), large sculptures are often dwarfted by the high-rise office buildings between which they are placed and in whose facades they often are beautifully reflected.
One such sculpture is “Ulysses” by Kiev-born artist Alexander Semeonovitch Liberman (1912-1999), a white-painted steel sculpture (1988), easily spotted from South Grand Avenue. By walking around the sculpture you may get lost by looking into the tubes or trying to find a path along the swirling loops.

References
[1] UlyssesHistorical Background. www.publicartinla.com/Downtown/figueroa/bunker_hill./ulysses1.html
[2] Alexander Liberman. wapedia.mobi/en/Alexander_Liberman.

Friday, March 26, 2010

On the sculpture trail: “Trisem” rock columns in the Fulton Mall, Fresno, California


Hikers in rocky terrain, especially in remote places and locations where the path of a trail is less obvious, often come across piled-up rocks or—more artistically—columns of stacked rocks, neatly balanced one on top of the other by thoughtful or playful travelers. Those rock piles or towers serve as trail markers telling you that somebody else came through before you. Sometimes a sequence of such artificial rock assemblies show you the path of the trail.
A super version of such a rock marker is towering in the Fulton Mall between Fresno and Merced Street in Downtown Fresno. Of course, this is not a marker with the purpose of providing direction or orientation, just delight. The columns of granite boulders are called “Trisem”, a sculpture donated to the city by Fresno artist T. Newton Russell. In contrast to those hiking-trail rock stacks, which fall and disassemble, these three towers are each hold together by hidden steel rods. The vertically stacked rocks are native San Joaquin Valley river rocks. It is a pleasure to look at them from further away as well as close-up—remember they don't fall.

Wednesday, March 24, 2010

Share the Fulton Mall in Fresno, California



The Fulton Mall in Fresno, a city in the San Joaquin Valley of Upper California, is a pedestrian mall. It is located in Downtown Fresno between the Warriors Theatre on Tuolumne Street and Inyo Street. “Mall traffic” includes pedestrians and bikers, but generally no motorized vehicles. Although a shopping mall (in parts), the Fulton Mall is a public outdoor art museum with animated facades, mosaics, a variety of sculptures and garden-like settings of fountains and bench groupings. The Fulton Mall Public Art Tour pages describe both sculptors and artists. An entry into Fresno's geography and history is available with Fresno, the Spanish word for ash tree on maps of Upper California (Alta California).
Long before fountains were designed and sculptured for the Fulton Mall, a natural spring already existed in the center of what is now Fresno: Green Bush Spring. That spot is found on the plaza at the midpoint of the mall. A marker between the clock tower and the abstract “Big A” sculpture brings you back in time:
On this spot in the early days was a flowing spring beside which stood a large green bush. Wild horses, deer, elk, and antelope watered here and later it served as a watering place for sheep and cattle.

The presence of this water caused the Railroad in 1872 to locate its station and townsite here.

The name shown on the first map of the proposed town was Green Bush.

Because of its central location in Fresno County Leland Stanford changed the name to Fresno Station.

In 1873 when the official map was filed it was entitled Town of Fresno.

Thursday, February 25, 2010

The Nevada State Parks system is celebrating its 75th anniversary

The Nevada Division of State Parks (parks.nv.gov), starting with the incorporation of Cathedral Gorge and three other sites in 1935, is celebrating its 75th anniversary in 2010. Today, the system has 25 park designations including 12 state parks, 6 state recreation areas and 7 state historic parks. Most of them are located in the Las Vegas area, Reno-Tahoe area, and around Cathedral Gorge north-east of Las Vegas; but to see some of the most unique and “truely Nevadan” sites, like the Berlin-Ichthyosaur State Park, requires a planned-ahead tour through desert country to remote landscapes.
The state park categories, however, do not refer to remoteness or serenity but to preservation and protection efforts as well as scenic, cultural and historic characteristics [1]:
State Parks are primarily established to preserve and protect exceptional or unique natural features of ecological, geological, scientific, or similar nature, or exceptional scenic qualities. Cultural features of historical, archaeological, or other significance may exist on the site.

State Recreation Areas typically possess unusual natural or man-made features suitable for a variety of outdoor recreation activities. Such features may include topographic, open space, streams, lakes, or reservoirs.

State Historic Parks preserve and protect historical and archaeological resources and are intended to provide a direct link for the park visitor to Nevada's past. Such areas can include public or private historical buildings or a group of historical buildings, battle grounds, town sites, significant sites of native culture, historical trails or routes, arts, or other sites associated with a significant person or event.

Nevada's state park designations are the most prominent sites that visitors of the Silver State are coming to see, but the wide-open space of this “Western Territory” has even more to offer for hikers, bikers, (horse-)riders and travelers of any kind: yet-unnamed trails, hot springs, beaches, sand dunes, ghost towns, caves and hidden petroglyph sites or colorful lichen-covered rocks, which you have to discover on your own or by guidance of the friendly locals.

Reference
[1] J. Steve Weaver:
Nevada's State Parks: 2010 marks the 75th anniversary of the formal establishment of our state parks system. Nevada Magazine March/April 2010, pp. 10-12.